Oracle from 2018 | Zairong Xiang: Transdualism, or the A/history of Yin-Yang
Published: 2021.12.23
Question from 2009 | Don’t Stop: Doing Art Potluck Style
Published: 2021.12.22
Question from 2015 | Elaine W. Ho: What is a “Good Institution”?
Published: 2021.12.21
Question from 2008｜In Production Mode: Contemporary Art in China (excerpt)
Published: 2021.12.20
An Answer from 2011 | Lu Pingyuan: History Can Strike Twice
Published: 2021.12.17
Heichi Magazine Presents
Future Perfect: Questionnaire at the End of 2021
Published: 2021.12.16
The Collective Alice, or, on Fear, Death, Multitudes, and Pain
Published: 2021.12.09
Six Hours Westward
Published: 2021.12.02
Root Seeker
Published: 2021.11.18
Awkwafina Is Not Just Nora From Queens
Published: 2021.11.11
Escaping Real Time: On Cantopop Nostalgia
Published: 2021.11.04
Three Steps, Nine Footprints: The Unpredictable Path to Becoming a True Artist
Published: 2021.10.20
Raimundas Malašauskas: Memory Walks
Published: 2021.10.14
Kang Seung Lee: Relating Otherwise
Published: 2021.09.30
From the Stain of Reproduction to the Chimaeracene II
Published: 2021.09.23
From the Stain of Reproduction to the Chimaeracene I
Published: 2021.09.16
Lenin’s Image
Published: 2021.09.09
row&row: Sayonara, Olympics
Published: 2021.08.08
Rania Ho: ASMR Olympics
Published: 2021.08.07
Zheng Shengtian: Qualifying Matches—Faking Olympics
Published: 2021.08.06
Pixy Liao: Bed Wrestling
Published: 2021.08.05
Lu Pingyuan: A Spacetime-Traversing Architectural Complex That Confuses Culture and Sports
Published: 2021.08.04
Miao Ying: The Games Before Corona
Published: 2021.08.03
Fong Fo: Competition Announcement
Published: 2021.08.02
Yi Xin Tong: Award Speeches from the Anglers
Published: 2021.08.01
Jing He: J
Published: 2021.07.31
Hu Yinping: A Prehistoric Playing Field in Lenghu
Published: 2021.07.30
Andrew Thomas Huang: Gravedigger
Published: 2021.07.29
Xiyadie: Soaring
Published: 2021.07.28
Musquiqui Chihying: Incident at the Medal Ceremony
Published: 2021.07.27
Bo Wang: Laws of the Game
Published: 2021.07.26
Jia Weng: Breathing Gymnastics
Published: 2021.07.25
Yining Fei: Tales of Ancient Fires
Published: 2021.07.24
To Save a World: Geoengineering, Conflictual Futurisms, and the Unthinkable
Published: 2021.07.23
Olympic Reveries | Opening Dispatch
Published: 2021.07.23
Lygia Clark’s Response to the Hatred of Ecology
Published: 2021.07.22
Bodies in K-Pop and C-Pop: Decontextualized Hybridized Identities
Published: 2021.07.15
Wonderland: Surviving Horror and Monstrosity
Published: 2021.07.08
Time is Joseeh Punmanlon’s Answer
Published: 2021.07.01
Trans-species Collectivity, Intra-species Inequality
Published: 2021.06.24
The Gallery That Was Never There: On LACMA’s Chinese Gallery and Collection
Published: 2021.06.17
Cloudy Swords II
Published: 2021.06.11
Unrecognized, indissoluble life: on Long Time Between Sunsets and Underground Waves
Published: 2021.06.10
Threads Adeptly Brandished by Loving Women：NZTT Sewing Co-op and its innovative practice
Published: 2021.05.27
Soft Rot, Sweet Rot, Bitter Rot: The Politics of Decay
Published: 2021.05.20
Cloudy Swords I
Published: 2021.05.14
Let the object speak
Published: 2021.05.13
An Untimely Memorandum of a Timely Performance
Published: 2021.05.06
Plastic Love
Published: 2021.04.29
This Place Must be the Place: On Living in the Internet
Published: 2021.04.22
After “After Babel”
Published: 2021.04.15
The Universe Is Missing a Button: A Conversation with Zhu Changquan and Li Ming
Published: 2021.04.08
Virality: Against a Standard Unit of Life
Published: 2021.04.01
Buffering or Disappearing: From Simulations to “On a Wire”
Published: 2021.03.26
Ruins, Melancholy, Diaspora
Published: 2021.03.11
Most Beloved of Them All: On the Eighth Huayu Youth Award Exhibition
Published: 2021.03.04
E҉n҉c҉h҉a҉n҉t҉m҉e҉n҉t҉ of Ӏìʍҍօ ҽղçհąղէҽժ: Corporeality, Consilience, Assemblage —— The “§þꢵlå†ïvê £åßµlå†ïðñ”
Published: 2021.02.25
The Club-Museum Ecosystem 2: Alvin Li’s Conceptronic Curating
Published: 2021.01.28
Towards a More Independent Aesthetic
Published: 2021.01.21
Bosom Friend
Published: 2021.01.07
It’s Not You, It’s The Algorithm
Published: 2021.01.07
Journeys in the Chinese Club-Museum Ecosystem
Published: 2020.12.24
The New “Depthiness”
Published: 2020.12.18
The Inbetweeners’ Condition
Published: 2020.12.18
Reappearances of Dada: On Xie Nanxing’s “A Roll of the Dice”
Published: 2020.12.10
Zones of Contamination
— Some Random Notes on the Current State of Contemporary Art Events
Published: 2020.12.03
Molecular Sex and Polymorphic Sensibilities
Published: 2020.11.26
Eyes Without a Face II: Emergent Realities
Published: 2020.11.19
Is the World Sleeping, Sleepless, or Awake or Dreaming?
Published: 2020.11.13
Guo Cheng: An Absurd Response to the Planetary Absurdity
Published: 2020.11.12
Eyes Without a Face I: Digital Fantasies
Published: 2020.11.05
Together in Nothingness
Published: 2020.10.29
On Art Criticism
Published: 2020.10.22
Facing the Sun, or On Colored Algorithms
Published: 2020.10.15
Mother Earth: Public Sphere, Biosphere, Colonial Sphere
Published: 2020.10.09
“Information” (1970): Conceptual Art in Print
Published: 2020.10.08
Book Review: “Chinese Brutalism Today”
Published: 2020.09.24
Haunted by the Past: Wang Tuo’s Introspective Films
Published: 2020.09.17
Parallel Futures: One or Many Dystopias?
Published: 2020.09.11
Becoming Zombies
Published: 2020.09.10
The AIR: An Artist’s Struggle for Justice in Thailand
Published: 2020.09.03
More Than One Language
Published: 2020.08.14
White Matter, Black Sun
Published: 2020.08.02
Psychroforms; or, On Cooling Down
Published: 2020.07.23
Home Cooking: being alone together
Published: 2020.07.16
Is it Love?
Published: 2020.07.10
e-flux in Chinese
Published: 2020.07.10
Tongues of Lykavittos
Published: 2020.07.09
Ghost Dance: the True Meaning of the Americas
Published: 2020.07.03
Power Outage as Allegory: Ge Yulu’s Eponymous Solo Exhibition
Published: 2020.06.25
Opacity ≠ Obscurity II:
Where Are the Lines of Outside and Inside?
Published: 2020.06.18
Opacity ≠ Obscurity I:
Home, Camouflage, and the Manzanar Net Workers
Published: 2020.06.11
Exhibition qua Fiction:
On Enrique Vila-Matas’s Cabinet d’amateur, an oblique novel
Published: 2020.06.04
Shuang Li:
Body, Soul, Desires, and Affections
Published: 2020.05.28
Instant Retrospectives:
Freeze-Dried, Ready-To-Go
Published: 2020.05.21