On Art Criticism
Published: 2020.10.22
Facing the Sun, or On Colored Algorithms
Published: 2020.10.15
Mother Earth: Public Sphere, Biosphere, Colonial Sphere
Published: 2020.10.09
Information (1970): Conceptual Art in Print
Published: 2020.10.08
Book Review: Chinese Brutalism Today
Published: 2020.09.24
Haunted by the Past: Wang Tuo’s Introspective Films
Published: 2020.09.17
Parallel Futures: One or Many Dystopias?
Published: 2020.09.11
Becoming Zombies
Published: 2020.09.10
The AIR: An Artist’s Struggle for Justice in Thailand
Published: 2020.09.03
More Than One Language
Published: 2020.08.14
White Matter, Black Sun
Published: 2020.08.02
Psychroforms; or, On Cooling Down
Published: 2020.07.23
Home Cooking: being alone together
Published: 2020.07.16
Is it Love?
Published: 2020.07.10
e-flux in Chinese
Published: 2020.07.10
Tongues of Lykavittos
Published: 2020.07.09
Ghost Dance: the True Meaning of the Americas
Published: 2020.07.03
Power Outage as Allegory: Ge Yulu’s Eponymous Solo Exhibition
Published: 2020.06.25
Opacity ≠ Obscurity ⅠⅠ:
Where Are the Lines of Outside and Inside?
Published: 2020.06.18
Opacity ≠ Obscurity Ⅰ:
Home, Camouflage, and the Manzanar Net Workers
Published: 2020.06.11
Exhibition qua Fiction:
On Enrique Vila-Matas’s Cabinet d’amateur, an oblique novel
Published: 2020.06.04
Shuang Li:
Body, Soul, Desires, and Affections
Published: 2020.05.28
Instant Retrospectives:
Freeze-Dried, Ready-To-Go
Published: 2020.05.21