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Heichi
中
About
Heichi Magazine
Contributors
All Articles
e-flux in Chinese
Towards a More Independent Aesthetic
Published: 2021.01.21
Bosom Friend
Published: 2021.01.07
It’s Not You, It’s The Algorithm
Published: 2021.01.07
Journeys in the Chinese Club-Museum Ecosystem
Published: 2020.12.24
The New “Depthiness”
Published: 2020.12.18
The Inbetweeners’ Condition
Published: 2020.12.18
Reappearances of Dada: On Xie Nanxing’s “A Roll of the Dice”
Published: 2020.12.10
Zones of Contamination
— Some Random Notes on the Current State of Contemporary Art Events
Published: 2020.12.03
Molecular Sex and Polymorphic Sensibilities
Published: 2020.11.26
Eyes Without a Face II: Emergent Realities
Published: 2020.11.19
Is the World Sleeping, Sleepless, or Awake or Dreaming?
Published: 2020.11.13
Guo Cheng: An Absurd Response to the Planetary Absurdity
Published: 2020.11.12
Eyes Without a Face I: Digital Fantasies
Published: 2020.11.05
Together in Nothingness
Published: 2020.10.29
On Art Criticism
Published: 2020.10.22
Facing the Sun, or On Colored Algorithms
Published: 2020.10.15
Mother Earth: Public Sphere, Biosphere, Colonial Sphere
Published: 2020.10.09
“Information” (1970): Conceptual Art in Print
Published: 2020.10.08
Book Review: “Chinese Brutalism Today”
Published: 2020.09.24
Haunted by the Past: Wang Tuo’s Introspective Films
Published: 2020.09.17
Parallel Futures: One or Many Dystopias?
Published: 2020.09.11
Becoming Zombies
Published: 2020.09.10
The AIR: An Artist’s Struggle for Justice in Thailand
Published: 2020.09.03
More Than One Language
Published: 2020.08.14
White Matter, Black Sun
Published: 2020.08.02
Psychroforms; or, On Cooling Down
Published: 2020.07.23
Home Cooking: being alone together
Published: 2020.07.16
Is it Love?
Published: 2020.07.10
e-flux in Chinese
Published: 2020.07.10
Tongues of Lykavittos
Published: 2020.07.09
Ghost Dance: the True Meaning of the Americas
Published: 2020.07.03
Power Outage as Allegory: Ge Yulu’s Eponymous Solo Exhibition
Published: 2020.06.25
Opacity ≠ Obscurity II:
Where Are the Lines of Outside and Inside?
Published: 2020.06.18
Opacity ≠ Obscurity I:
Home, Camouflage, and the Manzanar Net Workers
Published: 2020.06.11
Exhibition qua Fiction:
On Enrique Vila-Matas’s Cabinet d’amateur, an oblique novel
Published: 2020.06.04
Shuang Li:
Body, Soul, Desires, and Affections
Published: 2020.05.28
Instant Retrospectives:
Freeze-Dried, Ready-To-Go
Published: 2020.05.21
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