CHEESE: Her oscillators, turntable, and tape delay

2026.01.17 Saturday 14:00

Location

Goethe-Institut Beijing, 2 Jiuxianqiao Rd, 798 Art District, Chaoyang, Beijing

Speakers: Wang Jing, SUNK

"How do you exorcise the canon of classical music of misogyny?" "With two oscillators, a turntable, and tape delay." —— Sisters with Transistors

As a series screening unit of the TECHNO WORLDS exhibition, this week we shift our focus to gender, technology, and the ontology of sound.

The featured documentary, Sisters with Transistors, serves as a historical archive of the female pioneers of electronic music whose stories have yet to be fully told. Before the narrative of electronic music was obscured by male dominance, there was a group of exceptional female composers who embraced machines. With oscillators, turntables, and tape delays, they not only liberated the physical form of sound but also fundamentally revolutionized the way we create and listen to music today.

Following the screening, we are honored to invite two distinguished guests from the fields of sound studies and electronic music production: scholar Wang Jing and producer SUNK. This Saturday afternoon, let us follow the waveforms of those oscillators and engage in a dialogue about liberation, technology, and creativity.

 

About the Film

SISTERS WITH TRANSISTORS is the untold story of electronic music’s female pioneers, remarkable composers who embraced machines and their liberating technologies to utterly transform how we produce and listen to music today.

 

About the Program

“CHEESE” is a series of public programs featuring screenings and talks launched alongside the TECHNO WORLDS exhibition. In 1996, Michael, a student from Switzerland, and Will from the UK formed a collective called “CHEESE,” which helped ignite the early development of domestic rave culture in China. During the exhibition, we will screen several documentary films presented as part of the show and invite guests connected to these scenes to share ideas and engage in dialogue.

 

About the speaker: Wang Jing

Wang Jing is an Associate Professor and PhD Supervisor at the College of Media and International Culture at Zhejiang University. She is a Berggruen Fellow, a Visiting Professor of Anthropology at MIT, and a Visiting Scholar at the School of Creative Media at the City University of Hong Kong. She was also an artist-in-residence at Pro Helvetia (2022–2023).

Her research interests span sound studies, sensory studies, and the anthropology of art. She is the author of Half Sound, Half Philosophy: Aesthetics, Politics and History of China's Sound Art (Bloomsbury, 2021), Reverberation: Sound in Chinese Contemporary Art (Zhejiang University Press, 2025), and Sound and Sensibility: An Anthropological Study of Chinese Sound Practice (Zhejiang University Press, 2017).

She serves on the international editorial board of Social Science Information (SSCI) and the editorial boards of Sound Studies: An Interdisciplinary Journal and the Bloomsbury Music and Sound series. Her curatorial projects include the sound art project Soundtrack (Rockbund Art Museum, Shanghai, 2013–2014), Sounding: A Review of Thirty Years of Sound in Chinese Contemporary Art (2021–present), and Calling for Sound (2023). In her artistic practice, she focuses on field recording, voice-based installation and performance, and multimedia sound works.

Website: https://person.zju.edu.cn/wangjing

 

About the speaker: SUNK

SUNK is a pioneering electronic music producer and DJ from China. Following the release of her debut album, she garnered significant attention from domestic and international media, including the European culture channel ARTE, France Télévisions, Cosmopolitan, and AR. Known for her exceptional production skills and a unique "Chinese Techno" sound system that fuses martial arts aesthetics, she has rapidly risen within the international electronic music scene. She has performed and delivered public speeches at the Amsterdam Dance Event (ADE), making her one of the few Chinese musicians formally recognized as both a producer and live artist on such a top-tier global industry platform.

In 2025, SUNK is embarking on a European tour featuring stops at the Ravekjavík Festival in Poland, the NYOKOBOP Festival in Paris, Le Sucre in Lyon, the Fête de la Musique in Marseille, as well as HÖR Berlin and the HÖR China Tour Beijing Stop. Whether performing at festivals, clubs, or art spaces, SUNK uses precision production and emotional energy to "precisely lock in the live atmosphere," creating a distinct sonic world. Her work is renowned for its intricate synthesizer design, cinematic soundscapes, and rigorous rhythmic structures.

SUNK not only independently handles composition, arrangement, sound design, and mixing but also transforms these elements into high-tension performances that blend Live sets with DJing. She notably performed her original album live on the Li River in Guilin, collaborating with singer Zhe Lai Nü and musician Guo Yike to construct an immersive stage narrative rich in Chinese imagery. Additionally, she collaborates with pianist and composer Xiao Ying in the neo-classical electronic band "Echolink."

MACA Art Center is a non-profit art institution located in the 798 Art District of Beijing and officially inaugurated its space on January 15, 2022. Occupying a two-story building with a total area of 900 square meters, MACA unites artists, curators, and other art and cultural practitioners from around the world. Through its diverse, ongoing, and collaborative approaches, the Center establishes a new site on the contemporary art scene. Guided by the “work of artists” and backed by interdisciplinary research, the Center aims to bring together a community passionate about art and devoted to the “contemporary” moment so as to respond proactively to our rapidly evolving times.