Yun Feng (b. 1988) was born in Henan, China. He currently lives and works in Beijing. He received his BFA from the Department of Oil Painting at the College of Fine Arts, Xinjiang Normal University in 2011, and his MFA from the Department of Experimental Art at the Central Academy of Fine Arts, Beijing in 2016. Working primarily with performance art and cameraless photography, Yun Feng engages in sustained exploration of photogram processes. Using photosensitive paper as his primary medium, the artist records performative bodily traces through direct material interactions. His practice interrogates the boundaries between ephemeral action and photographic documentation.

Dr Yunchang Yang is an Assistant Professor at the Institute of Sociology and Anthropology, Peking University. He holds a PhD in Anthropology and Visual Culture from University College London, with research interests in the anthropology of art and image, visual anthropology, digital and media art, and Chinese modern and contemporary visual culture. He is presently working on two monographs, focusing on the idea of "amateurism" in photography practices in China and the "ethnographic turn" in contemporary Chinese art, respectively.

He Yining is a researcher and curator. She is the founder of two publication series: "Floating Island" and "The Starlight." She has participated in writing, editing, and translating over twenty publications, including "Routledge Companion to Photography, Representation, and Social Justice," "The Abode of Anamnesis," and "The Port and the Image" series. Her past curatorial projects include "Decolonial Gaze" (Goethe-Institut, Beijing, 2025), "Photographic Geomancy" (Guangdong Times Museum, Guangzhou, 2024), "The Port and the Image" series (China Port Museum, Ningbo, 2017/2019/2022), "China Imagined" (Grote Kerk, Breda, 2020), and "The Abode of Anamnesis" (OCAT Institute, Beijing, 2018). She served as co-curator for the 8th Singapore International Photography Festival (2022) and the 3rd Beijing Photo Biennale (2018).