Foggy Times

2022.01.15 Saturday 14:00

Location

MACA Art Center

Speaker: Lu Nei

 

MACA’s inaugural exhibition “The Elephant Escaped” began with an exploration of today’s attitudes, lived circumstances, and related emotions and mentalities. While preparing for the exhibition, we were inspired by Lu Nei’s novel Mistwalkers, published in January 2020. Through that non-linear polyphonic story, we explored the different and rich inner worlds of individuals in a specific time. In Mistwalkers, a literary vision of the decade from the 1998 floods to the 2008 Beijing Olympics gave the exhibition a conduit of memory through which to understand the present, while also providing a material reference for the exhibition’s design.

During the exhibition opening on January 15, MACA is delighted to host a discussion with novelist Lu Nei, moderated by Yuan Fuca, curator of “The Elephant Escaped.” Dai Jinhua has noted the “intersex” literary qualities of Mistwalkers—the characters in the novel and their perceptions of themselves are always pending. Lu’s writing is always guided by and implicated in the fates of these characters, as if walking through fog. Lu’s literary world offers us an anthropological perspective. By engaging with a social world comprised of warehouse staff, migrant workers, hipsters, and other transient groups, we also slowly start to see our own lives and desires.

About the Speaker

Lu Nei

Novelist, author of Young Babylon, Compassion, and Mistwalkers

About the Moderator

 

Yuan Fuca

Chief Curator-at-Large of MACA, curator of “The Elephant Escaped”

 

MACA Art Center is a non-profit contemporary art institution housed in a standalone building of minimalistic industrial style and futuristic design in Beijing's 798 Art District, a major hub for arts and culture in the city. Through forward-looking and experimental content, MACA aims to enable communication traversing disciplinary boundaries while forging international dialogues grounded in the specificities of a Chinese perspective. Our programmatic scope, which spans exhibitions, research initiatives, pan-performance practices, and alternative communal engagement, signals a commitment to exploring ideas outside established epistemic frameworks. MACA seeks to position itself as a new institutional mode, proposing an alternative coordinate within the topology of Chinese contemporary art. Through art, we address our radically transforming times.